News – Page 13 – M.H. Callway Thriller Writer

BIG NEWS: THE MESDAMES OF MAYHEM’S THIRD ANTHOLOGY 13 CLAWS!

The Mesdames of Mayhem are delighted to announce their third anthology, 13 Claws, to be published by Carrick Publishing in September, 2017 in time for Bouchercon Toronto!

130926-scary-cat — Blood on the 13 Claws!

All the stories in 13 Claws will be about animals: cats, dogs, bears, snakes – and that’s just for starters! The only limit will be the twisted imaginations of the Mesdames. And to balance our dark side, we are donating a percentage of our anthology’s sales to the Toronto Humane Society.

I’m working on a story about snakes and real estate agents: stay tuned!

More Big News: We Mesdames love to encourage new Canadian writers; indeed many of us teach creative writing. So for 13 Claws, we will have a contest! One story in the anthology will be by a previously unpublished author. Submission rules will be announced later this fall on this website and our FB page.

A bit of history…

In 2013, Carrick Publishing released the Mesdames’ first anthology as an introduction to our group and our writing. 13 Mesdames contributed stories so the title naturally became Thirteen!

Thirteen was a huge success. Rosemary McCracken’s story, “The Sweetheart Scamster” was a Derringer finalist. And two stories were nominated for the Arthur Ellis Best Short Story award: Donna Carrick’s “Watermelon Weekend” and Sylvia Warsh’s, “The Emerald Skull”.

Thirteen has indeed proved to be our lucky number!

In 2015, Carrick Publishing published our second anthology, 13 O’clock. This time, all the stories were about time. Stories took place in the distant past or in the future. A ticking clock threatened disaster. Or in many tales, a diabolical past caused havoc in the lives of characters. For the first time, we included a story by our Monsieur, Ed Piwowarczyk.

13 O’clock proved to be another big success with good reviews by veteran crime fiction reviewer, Don Graves and by Vanessa Wasserman for the Sleuth of Baker Street newsletter. The icing on the cake: another Arthur Ellis Award nomination, this time for M. H. Callway’s novella, Glow Grass!

And best of all both Thirteen and 13 O’clock are now available in the Toronto Public Library!

SURREAL TRAPDOOR: Gators Love Marshmallows!

staypuft-man6 — September is marshmallow month!

Just got back from Bouchercon 2016 held in New Orleans, LA. It was my first visit to this haunted city – and I loved it. Tropical heat, “painted-lady” mansions, ornate ironwork, fin de siècle French cafes, crass voodoo shops (gruesome made in China shrunken heads), a streetcar really named Desire, antique neon signs, fab music…the list is endless.

A bar culture shocking to a Canadian. Alcohol is freely available 24/7. Walgreen’s Drugstore sports shelves and shelves of bourbon. People wander freely about the streets drinking – as long as the container is plastic.

But what did I really want to see? GATORS!Swamp tours out of New Orleans end up at a nature conservancy about an hour’s drive out of the city. Tourists are loaded into flat-bottomed boats named, somewhat disturbingly, Gatorbait!

Our guide climbs on board the Gatorbait carrying a bag of marshmallows. This is not, as we first suppose, a cheap snack for us. No, kiddies, this is the true gator bait! As we are soon to learn, gators love marshmallows. And propelled by their powerful tails, they will jump out of the water for a hotdog on a stick. After all, hotdogs look just like tourist fingers!

Our guide tosses a marshmallow onto the brown brackish water. Impossible to know what lurks beneath the surface. It looks so bland and boring. Until two beady primordial eyes glide to the surface and snap! We’re back in the days of the dinosaurs.

Hey, who cares if the sugar rots the gators’ teeth or clogs their arteries? Gators aren’t endangered, the guide tells us. They’re farmed locally, from eggs collected at the nature preserve. Otherwise the gators would eat them, a twisted sort of birth control. In fact, that’s why they love marshmallows. The candy looks just like gator eggs!

In fact, gators will eat just about anything smaller than them, especially baby alligators. (More birth control.) Someone asks the guide if they eat humans. “Oh, no” he says. “My buds and I swim and jet ski all through the bayou. They’re a lot more scared of us than we are of them.”

Sure.

Other denizens of the swamp share the gators’ sweet tooth: an egret, a blue heron and a baby wild hog who chomps away at the mushy treats with a wary eye on a nearby, avariciously hungry baby gator.

More interesting facts: gators are territorial (no kidding), they cool off by panting like dogs, food rots in their stomachs if the weather gets too cold and they can live to be 100 years old. Reminds me of certain presidential candidates…

For breakfast we sample gator sausage. Hmm. A bit dry with a taste reminiscent of the mystery meat served up in university cafeterias. Better to eat than to be eaten though…

Viva New Orleans!

BIG NEWS: Cover for Glow Grass and Other Tales

Greetings Readers!

BIG REVEAL!

Here is the cover of my new book, Glow Grass and Other Tales (Carrick Publishing). With thanks and hugs and kisses to my fav cover artist, Sara Carrick.

Cyber launch date soon. I’ll be doing a print launch with Rosemary Aubert in October / November. Stand by for dates and details.

TOP 10 FAV NOIR FILMS!

Really looking forward to Noir at the Bar at Bouchercon on September 14th in gothic New Orleans!

I’m a visual writer. I fell in love with the movies at age 3. As a teenager, I fell under the spell of noir cinema: tough settings criss-crossed with black shadows, peopled with sinners doing horrible things to each other – what was not to love?

So in honour of Noir at the Bar, here are my Top 10 Fav Noir Films. Most centre on strong, complex female characters. Their striking settings are often surreal and have stayed in my mind forever. The characters get justice even if that justice is harsh and twisted. And almost all feature devastating endings with a darkly satiric edge.

So here’s my list. I’d love to hear from you about your 10 Fav Film Noirs.

10. BLOOD SIMPLE (Joel & Ethan Coen) – The debut film of the Coen brothers who developed the story from Dashiel Hammett’s phrase “blood simple” meaning crazed by violence.

An unpleasant man hires a shady PI to murder his wife and her lover. Things naturally go awry with a literally harrowing murder scene that rivals the death of Rasputin. One of the best exit lines ever, delivered by veteran character actor, M. Emmet Walsh whose performance oozes sleaze.

9. LADY FROM SHANGHAI (Orson Welles) – Orson Welles ran out of money trying to stage a musical version of Around the World in 80 Days. He allegedly pitched The Lady from Shanghai to Columbia Pictures president Harry Cohn while looking at the cover of a pulp novel he’d never read. It’s a “who’s gonna kill who” thriller with adult dialogue sparked with sharp-edged barbs.

Welles invented the final shoot-out in a fun house of mirrors, a sequence that’s become standard in action and horror films. Nearly 70 years later, Welles’s original remains the best.

8. SORRY WRONG NUMBER (Anton Litvak) – A spoiled, bed-ridden heiress overhears a murder plot on her telephone. Through a series of phone conversations with strangers and her unhappy husband, she realizes the thugs are about to murder her.

Based on a radio play by Lucille Fletcher, the film works because of its unusual plot structure and a terrific performance by Barbara Stanwyck as the woman you love to hate.

A devastatingly satisfying one-line ending: “Sorry, wrong number.”

7. MILDRED PIERCE (Michael Curtiz) – Based on the novel by master noir writer, James M. Cain. The film depicts the rise and fall of businesswoman, Mildred Pierce (Joan Crawford).

Abandoned by her husband, Mildred battles poverty and terrible grief to support her family. Against all odds, she becomes rich, but her insatiable drive to join high society ends up destroying what she fought so hard to save: her family. A remarkable film even in 2016, because the tragic hero is a woman rather than a man.

6. VERTIGO (Alfred Hitchcock) – A masterpiece mystery thriller that shows how a grippingly profound story can be created with a minimum of characters. The film explores the destructive power of self-delusion and mental illness at a visceral level.

A law officer develops vertigo after a nearly fatal fall. His phobia makes him the victim of a diabolical plot. James Stewart is at his best as the unsympathetic hero: even Hitchcock’s heavily artificial camera work, invented to mimic vertigo, does the job. One of the best and most devastating movie endings of all time!

5. THE THIRD MAN (Carol Reed) A thriller filmed on location in the rubble of post-WWII Vienna. It goes beyond genre in examining business corruption, betrayal and the tragedy of misplaced loyalty.

Holly Martins (Joseph Cotton), a broke pulp fiction writer, travels to Vienna to meet his old friend, Harry Lime, who’s promised him a job. But he arrives to find that Lime has been killed in a hit and run car accident and is wanted by the police. Looking for answers, Martins uncovers some nasty truths about Lime.

Despite being on screen for only a short time, Orson Welles is the perfect Moriarty, intellectually brilliant, articulate, urbane and utterly indifferent to his friends. The final chase through the sewers of Vienna is pure noir, the unromantic ending logical. When visiting Vienna, do check out the Third Man Walking Tour .

4. FARGO (Joel & Ethan Coen) A police thriller where the misery of a North Dakota winter and the mundanity of Midwest culture work as well as the mean streets of noir.

A beleaguered car salesman (William Macy) conspires with a pair of criminals to kidnap his wife for money and to get revenge on his rich father-in-law. Naturally things go pear-shaped, partly due to the dogged investigation by the local – and heavily pregnant- police chief (Frances McDormand).

Some really macabre scenes – we all know what’s gonna happen with that wood chipper – and lots of dark humour. Who can forget Carl Showalter (Steve Buscemi) burying the ransom money in the endless snow along the highway then marking the spot with a tiny ice scraper? Ordinary folks and petty criminals alike die because they’re not equipped to deal with true evil, as portrayed by Danish Shakespearean actor, Peter Stormare. For once good triumphs over evil…sort of.

3. THE ASPHALT JUNGLE (John Huston) The heist film that spawned the caper subgenre. Classic noir: tough criminal characters, mean streets, desperate motivations, greed and corruption.

Four criminals and a corrupt lawyer conspire to rob a fortune in jewels, but are undone by mutual treachery and unforeseen hitches in their plan. Great performances by Sterling Hayden and Sam Jaffe. Interestingly, the film features the debut of Marilyn Monroe as the elderly lawyer’s young mistress. At the time, she wasn’t big enough to be on the movie poster!

2. TOUCH OF EVIL (Orson Welles) Tough choice between my top two favs: they’re really a tie.

I first saw Touch of Evil on late night TV. Deemed weird and disturbing at the time, I secretly loved it and still do. Seeing it now, I believe that the film was too truthful for the time because of its candid portrayal of police corruption and violence. Today it’s listed as one of the best films of the 20th century.

In the story, two people are killed when a car bomb goes off at a border crossing between the USA and Mexico. The veteran American cop, Hank Quinlan (Orson Welles), wants a quick solution and plants evidence to frame the most likely suspect, a Mexican citizen. Vargas, the Mexican detective (Charleton Heston), stands up to Quinlan with blowback that nearly kills him and his American wife, Susie (Janet Leigh).

Classic noir: mean streets, corruption, nasty characters, drugs, illicit sex, but much, much more. The film foreshadows tech noir: the final confrontation between Quinlan and Vargas takes place in a decayed industrial setting. It’s brutally frank about the bullying nature of American-Mexican relations, the corruption of male cronyism and women’s vulnerability in a patriarchal society. Some neat touches: Mercedes McCambridge plays a frankly lesbian hoodlum. For readers who don’t know her, McCambridge was the voice of the demon in The Exorcist.

Orson Welles is amazing as bloated, uber-corrupt, sixtyish Hank Quinlan; impossible to believe that he was only 43 at the time. Incredible, surreal scenes between him and Marlene Dietrich as his former mistress and the owner of a Mexican bordello. The single 3-minute tracking shot at the start of the film, that follows the convertible with the ticking time bomb, made cinematic history.

1. SUNSET BOULEVARD (Billy Wilder) Not just my favorite film noir, but one of my all-time favs period. In the story, a broke screen writer, Joe Gillis (William Holden) is trying escape the repo men. He hides out on the grounds of a mysterious Hollywood mansion inhabited by a forgotten star of the silent movies, Norma Desmond (Gloria Swanson). Determined to make a comeback, Norma hires Gillis to rewrite her awful screenplay. Gillis figures it’s easy money, so he agrees, but gradually he becomes Norma’s boy-toy. When he decides to escape, well, guess what happens.

Like all great films, Sunset Boulevard is much more than its gripping story. It’s about the tragedy of vanity and delusion – and the price paid by enablers. It’s also about the cost of refusing to accept change and abandoning your self-worth for easy money.

Gloria Swanson gives a legendary performance as Norma Desmond as does Erich von Stronheim portraying Max, her ex-husband who works as her butler. (Sick or what?) Wonderful gothic sets. Who can forget the image of the dead chimpanzee’s funeral or the rats in the dry swimming pool?

Billy Wilder broke several Hollywood conventions: many celebrities played themselves ( Buster Keaton, Cecil B. DeMille) and the narrator is a dead man. Truly one of the most haunting and satisfying endings in the movies when Norma walks into the camera for her close-up.

BIG NEWS: Glow Grass and Other Tales Published This Fall!

Greetings Readers!

This eerie picture is the cover art for my upcoming book, Glow Grass and Other Tales, published by Carrick Publishing.

My short fiction has appeared in several anthologies, print magazines and ezines. In Glow Grass though you can read seven stories and two novellas at once, including my Arthur Ellis short-listed thriller, Glow Grass itself.

Re-reading my stories, I see that they are noir, but the beginning tale, “Kill the Boss” and the ending novella, Amdur’s Cat, are comic romps born out of my frustration while working for the government. My tribute to Yes, Minister.

Many of the stories are winners or finalists for awards: Arthur Ellis, Derringer and Bony Pete.

I’ll keep you posted about the upcoming cyber launch and print launch of Glow Grass, most probably in mid to late October.

CYBER CAFE: Meet Rosemary Aubert


Rosemary Aubert is a marvel: a poet, award-winning novelist, editor, visual artist and a sought-after speaker and teacher, beloved for her generosity in sharing her extensive knowledge and encouraging fellow artists. She is also a criminologist who worked for many years in Canada's court system.

In crime fiction circles, Rosemary is best known for her popular, critically acclaimed Ellis Portal series. But she has also penned a gripping noir novella, Terminal Grill and short fiction. Her story, "The Midnight Boat to Palermo", winner of the Arthur Ellis Award, is both poignant and terrifying and one of my personal favorites.

For details about Rosemary's new works and her events and seminars, follow her website.

Your first love has always been poetry. How did you start writing?

I can’t remember a time when I wasn’t interested in poems and storytelling. What attracted me were the things read to me by my mother, father and grandmother, especially at bedtime. What I consider to be my first publication was a poem published in the school paper when I was 18. I remember being rejected by Hallmark Cards when I was little. I had sent them a verse and they sent me back a card that said, “Better Luck Next Time.”

I picked poetry then for the same reason I write it now. It’s fast, it’s beautiful and it tells the truth.

Your readers may be surprised to learn that you worked many years as a romance writer and editor. Do tell us about it!

I was looking for a job and I dropped by Harlequin unannounced. Someone at my library job had told me that Harlequin was hiring. Well, to my great good luck, they were. The person who was supposed to be there for the job interview didn’t show up so they hired me instead—on the spot. That’s how I became a Harlequin editor. Later on, I became a writer there as well.

I was attracted to the romance genre because I thought, and still think, that romance is one of the greatest experiences a human can have. I haven’t had a romance published in a long time, but you can probably get one of my old ones for ten cents somewhere on the internet!

Why did you turn to crime fiction?

Like so many of my students, what attracted me to crime writing was a pair of detectives that I loved without reservation: Nancy Drew and Sherlock Holmes. What attracted me then, I think, was the power of logic. What attracts me now, after reading hundreds upon hundreds of mysteries and after having published my own novels as well as working as a criminologist for many years, is the insight such works give the reader into the reality of being a human being: a normal one, a criminal one and one in whom both worlds meet. Which is to say—almost everyone.

Your first crime fiction short story won the prestigious Arthur Ellis Award.

Yes, “The Midnight Boat to Palermo” is a story of desperation, murder, cleverness and regret. I can’t remember exactly where I got the idea for it, but it probably was after reading a true-fact account of the Sicilian trade in opium. It also makes use of my grandmother’s recipe for spaghetti sauce!

Your popular Ellis Portal novels have won and been short-listed for many awards, including the Arthur Ellis Award. How did you come to write this enduring series?

That would take a book in itself to explain. . One day a character came to me and said, “I am Ellis Portal. Write about me.” (BTW Ellis Portal’s name was inspired by the sign on a tunnel in the TTC subway system. We challenge readers to find it. – MH Callway)

I wanted to write about crime, Toronto, the street and homelessness. I also wanted to write about decline from a great height.

Your recent book, Don’t Forget You Love Me, is the sixth in the Ellis Portal series. Will there be a seventh book?

Ellis has recently told me that our work together is done.

Your novella, Terminal Grill, took a dark turn. Why noir?

What led me to write Terminal Grill was the setting, not only in the physical bar, which is a real place, but in the underworld of poetry in Toronto. Though I don’t think that world is as hidden now as it once was. And I wanted to write another romance, even if it was a dark and frightening one.

Of all my work, it seems to me that Terminal Grill has had the most overwhelmingly positive response from my readers.

What would you like to tell your readers?

I love my readers. I love their comments, which have always been positive. I love it when a complete stranger tells me that they read and liked my books.

The strangest feedback I ever got was from a man who told me he’d found all sorts of factual errors in one of my books. He said that nevertheless, he liked it and had read it superfast. When I looked up the errors, there were none. He’d read the book so fast he got it all wrong!

Tell us what’s next for Rosemary Aubert.

I’m hoping to launch my new book, The Midnight Boat to Palermo and Other Stories in the fall. You can learn about this and other appearances I’ll be making on my website: www. rosemaryaubert.com.

NEWS: Limestone Expo – Fab Cross Genre Con

Limestone Genre Expo, a 2-day conference for authors and fans of genre lit, took place in Kingston, Ontario July 23-24th. Organizers, Liz Strange, Delina MacDonald and Marlene Smith created the conference in 2015 to support Eastern Ontario writers of fantasy, science fiction, horror, romance, YA and crime fiction.

Science fiction, fantasy, graphic and horror authors have intermingled for years at conferences like Comiccon, Fan Expo and When Words Collide. Crime fiction is a relative new-comer to these events, but likely to become more popular in the intensifying search for readers and with the retirement of Canada’s late great national crime writing conference, Bloody Words.

This was my first cross genre conference. Starting with a local conference proved to be both comfortable and enriching. Several of my crime writer friends were attending: among them Rob Brunet , Vicki Delany, Madonna Skaff and Linda Wiken. And I have a deep affection for Kingston. I studied Chemistry at Queen’s University back when T. rex ruled the earth and OHIP was the major client of my IT consulting business. Ed and I made a weekend of it, staying at the wonderful Rosemount Inn, a Victorian mansion which looks haunted and reputedly is.

13723881_1037065696330029_6470841048669506124_o — Ira Nayman

13691022_1037066316329967_109448594662198952_o — Me flogging Windigo Fire

My table mate in the vendor’s room was Ira Nayman, political satirist, science fictioneer and aardvark lover. Ira generously helped me set up my book display and we had great conversations about life, the universe and everything when the author panels were running.

In the vendor’s room, I met Brian Lindsay, fellow crime writer and Arthur Ellis finalist for Best First Novel. Brian is an imagist, chef and indie author of the Gilmore Island mysteries, set on an island near Westport, Ontario. Old Bones, which I’m enjoying now, is his first novel.

I also enjoyed meeting crime writer, poet, musician and reviewer, Bob Mackenzie.

The conference was a well- thought-out mix of panels, workshops, author readings. There was a pitch session hosted by Five Rivers Publishing and a conversation with Jay Odjick, creator and executive producer of the animated TV show, Kagagi: The Raven.

Each genre had at least one panel specifically devoted to it. The crime fiction panel was “Modus Operandi, From Cozies to Private Eyes” , a broad topic to be sure, but a fine introduction of the genre to new readers.

Liz Strange had asked me to step in as moderator for the YA panel with authors: Y.S. Lee, Alyssa Cooper, Maureen McGowan, Kim McDougall and Suzanne Church. The facilities at the Kingston Frontenac Library were pretty good, but like many modern buildings, meeting rooms are scarce: one large upstairs space and two much smaller rooms, where you really got to know the audience!

YA is hot right now. Virtually every literary agent is begging for it. Our audience was too large for the room and the fire marshal notwithstanding, everyone crowded in SRO. The panel graciously gave up their chairs to the audience and spent the entire hour’s discussion on their feet!

Some observations about YA: people of all ages read it. Why? For the strong story lines, shorter book lengths and relatively uncomplicated language; in other words, a fast read. YA many times deals with tough topics. Why? People see hard things on the media and through the internet every day. Parents can’t shield children as they once did. And the good news: Younger people are reading thanks to YA. Indeed research suggests most readers are younger than 35 or over 60!

13698097_1037065879663344_2990431452517781146_o — Goth author and film maker Jen Frankel

Often, it seems that genre writers are silo-ed: crime writers mostly meet other crime writers and crime fiction readers. But conferences like Limestone Expo recognize that readers often read and love several different genres. And authors today share the same concerns. Panels were held on traditional vs. indie publishing, the portrayal of women, disability and LGBTQ2 identities.

My own panel, Monstrous Imaginings, proved to be great fun. (The cross genre panel: Jen Frankel, Caroline Frechette, Evan May, Alyssa Cooper, Robin Riopelle and me.) The topic allowed us to freely interpret what “monsters” mean in crime fiction, romance, YA, horror, etc. We went a little wild and the audience seemed to enjoy that!

13613101_1037066042996661_7089763655176161010_o — Liz Strange

Liz plans to continue the conference next year. Many thanks to Liz and the organizers for their hard work and a most enjoyable two days!

EAT THIS BOOK: Sellers & Newel Second-Hand Books – A Must for Noir Fans!

Peter Sellers, Ed and I became friends during the early days of Crime Writers of Canada. And we share a love for Toronto's demi-monde of burlesque, adult clowning and alternative music. Not only that, our kids went to school together and grew up to work in media.

In 1992, Peter won the CWC Derrick Murdoch Award for his work in revitalizing the crime fiction short story. His off-beat, often chilling and highly engaging tales have appeared in every major mystery magazine and numerous crime anthologies. He is a four-time finalist for the Crime Writers of Canada’s Arthur Ellis Award for Best Short Story.

On November 12, 2011, Peter opened Sellers & Newel Second-Hand Bookstore in Toronto's Little Italy. His passion is hunting down rare and collectible volumes for his clients.

Visit Sellers & Newel at 672 College St., Toronto. Tuesday to Saturday, 11 am to 7 pm; Sunday 12 to 5 pm. Mondays, by chance.

And be sure to visit the bookstore's website at www.sellersandnewel.com and on Facebook and Twitter (@sellersandnewel).

BTW click on any of the images you'd like to explore more closely.

Sellers & Newel Exterior — Sellers & Newel, street view

Store Interior — Inside looking out at Little Italy

What books will we find at Sellers & Newel?

We carry second-hand only. Mostly 20^th Century literature, crime fiction, poetry, lots of weird fiction. Some are antiquarian, but we have lots of affordable reading copies. Our books range in price from $1 to several thousand dollars.

What led you, a writer, to open a bookstore?

SAM_book_bookstore__sam2302 — Peter, buried in his passion: books!

I love books. I like the fact of them as much as anything and I’ve always bought many more than I could ever hope to read. Now I buy many more than my customers can ever hope to read. I also like working for myself and working without a net. It’s all up to me. I love going out and finding books, making house calls, visiting other dealers, especially when I’m out of town. Buying books is almost as much fun as selling them.

What do you find fascinating about crime fiction?

To be honest, I don’t read nearly as much crime fiction as I used to. But my initial interest was most likely fuelled by black and white crime films of the 1930s through the 1950s. They used to be on TV a lot, and I grew up on Bogart, Cagney, John Garfield, Mitchum, and other actors like them and the films they made. When I started reading books seriously, the first novel I can recall buying was a stunning 1971 Ballantine edition of The Big Sleep that I still have. I was 15 or 16 and bought it from a bookstore across the road from my high school. From then on it was mostly mysteries and thrillers for years.

I love the pulp books you have collected, especially the lurid book covers. What attracts you to the pulp era?

A lot of that stuff is crap, really. But there are some occasional gems. John D. MacDonald, for example, in his non-Magee stuff, is great. He is better than anyone else at giving you this awful feeling that something is going to go really bad really soon. Mickey Spillane I used to love, not because he was good but because he wrote like he was insane, all kinds of repressed sexuality spilling out in this remarkable violence (in tone as much as action) that nobody’d done like that before.

Why noir?

I hate happy endings. I like books that end badly. Nasty people treating each other shabbily has a certain appeal to me. (And a twisted sort of justice, which is why I love noir – M. H. Callway)

Tell us something about your customers.

There is no typical customer, though I was surprised to realize, soon after I opened, that most of them are under 35. That was not what I had expected.

My customers seem to like the coffin, which gets photographed a lot. Some people find it creepy but most love it. They like the crooked walls, the metal ceiling, the mismatched floor tile and the big leather chair. They seem to like my selection and the fact that the books are all in really good shape, and that I have lots of unusual stuff.

Which of your books have proved to be the most popular?

First editions are popular and I have a lot of collectors who come in for the Weird Fiction, which includes some very scarce titles. They also like the fact that I will track down books for people, even if they cost as little as five bucks. And I never give up. A few months ago, I found a book that a customer had asked for three years before. She was surprised that I had kept at it for that long, especially an inexpensive paperback, but her reaction when I called her was priceless.

But my unscientific survey says Hemingway, Steinbeck, H.P. Lovecraft and an obscure British author named Simon Raven because I love the guy and plug the hell out of him.

You’ve embarked on two cool innovations at your store: music and film nights. Tell us about the music events.

The concerts are working out really well. I do two a month from September through May. None in the summer because of the heat. I started because I wanted to do something that no other bookstore is doing, and I find readings and signings to be pretty darn boring most of the time. Live music has always been important to me, and I still go out and listen to as much of it as I can. This also seemed a good way to promote the store and to bring new people in.

Performers are usually local people I like and who are all really good. Styles of music so far have ranged from Medieval to modern performance art. Past performers include outstanding singer/songwriter Kevin Quain (3 times), the wild, 300-plus-pound Corpusse (twice), country singer Zachary Lucky, singer/songwriter Ryan Cook from Nova Scotia, and remarkable guitarist Andrew Mah from Ottawa.

In the fall we have some jazz shows booked for the first time.

How do we find out about concert dates and times?

The shows are usually on Thursday nights at 8:00 pm. Cost ranges from $10 to $20 depending on who’s playing. Capacity is up to 35 depending on how much space the act takes up.

If you get on our mailing list, or check us out on Facebook, you can get all the details for future shows.

You’ve also tried film nights. How did they work out?

I did two film nights as part of Canadian National Film Day, screening classic Canadian horror films, like Terror Train, but neither evening was a big hit. I have one more thing I’d like to try so I may or may not continue the film nights.

Before we sign off, Peter, what is the strangest customer experience you have had?

There’s been no shortage of those. One of the most charming was a very enthusiastic teenage girl who came in and, with a big smile and shining eyes, asked me if I had a copy of “How to Kill a Mockingbird”.

Thanks, Peter! Your store offers a truly magnificent feast for booklovers. So readers, get yourselves over to Sellers & Newel, soak in the entertainment and eat those books!!

EAT THIS BOOK: Reading with Sam Wiebe!

Looking for a summer thriller? Happy to recommend my friend, Sam Wiebe’s new book, The Invisible Dead! Last week Margaret Cannon, crime fiction reviewer of the Globe and Mail, gave it a rave review, calling Sam “a writer on the rise”. Read the full text here.

Sam and I were both finalists for the 2012 Unhanged Arthur (Sam won). Subsequently Sam’s book, The Last of the Independents, was published by Dundurn and mine, Windigo Fire, by Seraphim Editions. And then we were both short-listed for the 2015 Arthur Ellis Best First Novel Award!! (Steve Burrows won). Sam went on to win the Kobo Emerging Writer Prize for Best Mystery.

What I especially enjoy about Sam’s writing are his engaging characters, but even more so his darkly complex plot twists that plunge deeply into noir. He breaks many mystery conventions and rules: no cozies here.

I’ll be reading with Sam and fellow noir writers, Rob Brunet and John McFetridge on Thursday, July 14th, 6 pm at Sleuth of Baker Street to celebrate the launch Sam’s new book and series, The Invisible Dead. Join us for a great evening of noir crime fiction.

AND EAT SAM’S NEW BOOK, THE INVISIBLE DEAD!

WANDERINGS: The Ride to Conquer Cancer 2016

Greetings readers!

20160601_170513 — Toronto Street Art: Ride to Conquer Cancer

Just completed my 9th Ride to Conquer Cancer, a 213 km marathon charity bike ride from Toronto to Niagara Falls via Hamilton. The Ride is the biggest fundraising success story in Canada. This year over 4000 cyclists raised $17+million for the Princess Margaret Cancer Research Centre, which has spear-headed individual cancer therapy.

My friend, Andre and I did the inaugural Ride in 2008 and it had by far the best spirit. People rode everything from carbon fibre racing machines to old clunkers pulled out of the garage. No cops doing traffic: instead we relied on a friendly motor cycle club. Road signs got lost or misplaced. The route was tres hilly, too. I remember falling into bed at 6 pm, completely exhausted after finishing that first day.

Since then, every year never fails to be an adventure due to the vagaries of weather or the misadventures of crazy cyclists. This year was no exception.

13412079_10153788052865914_4662738730007120075_o — Start at Ex Day 1

Here you see me and my buddy, Marci, at the start of the Ride in Toronto. (That’s me on the left.) We were worried about the predicted thunderstorms hence the rain gear. Instead we got major crosswinds that threatened to blow us off the road as we struggled up and down a hilly course in 35 degree weather (that’s 85 Fahrenheit). Almost impossible to avoid serious dehydration: I downed 2 litres of Gatorade en route!

We did get our reward at the end of Day 1 though: 15 km of speedy downhill to the McMaster University finish line and two beers each! To be shared with our faithful husbands and support crew.

13403263_10153364121906362_4550048733862706877_o — Enjoying much-earned beer with road crew, Tim

Day 2 dawned clear and much cooler. The wind was behind us and we pumped our way through 119 km of undulating wine country. Beautiful!

Riding with 4000+ cyclists is hazardous. We saw 3 accidents involving 3-tiered response with wailing ambulances. The compulsory safety video doesn’t sink in for many participants who freewheel down hills at 30 MILES per hour, pass too closely and indulge in forbidden drafting.

Many participants sported road rash or suffered bike breakdowns. Fancy road bikes do not fare well on rough, pot-holed roads. Elite cyclists may despise my faithful hybrid, which is slow on hills, but it’s rugged and has held me up through thousands of kilometres.

13403765_10153788069965914_120314256671853839_o — Crossing the finish at Niagara Falls

Next year will be the 10th anniversary of the Ride. Did I sign up? Sure! And so did Marci. More adventures to be had in defeating this horrible disease!

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WANDERINGS: The Ride to Conquer Cancer 2016

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