EAT THIS BOOK: Never Going Back by Sam Wiebe

Novellas are relatively rare in crime fiction where formats are far more rigid than in literary and speculative fiction.  Short story lengths greater than 5000 words are tolerated…barely. And novels must be no less than 65,000 and no more than 95,000 words.

No doubt the formats are dictated by business rather than artistic imperatives. The story or book length a publisher believes will hold readers’ attention spans.

So what is a novella exactly? A long story or a short novel? As an author whose work naturally tends to fall in this category,  I believe a novella is a story with a linear plot but with more texture, atmosphere and complexity of character than can be captured in 5000 words or less.

The Orca Rapid Reads Series  breathed life into the crime fiction novella. Mostly because of this series, the CWC Awards of Excellence have had enough entries to create and sustain a novella category. (CWC defines a novella as a story between 8000 and 20,000 words.)

The Rapid Reads series is aimed at adults who are ESL students, who have difficulty reading or those who simply want a fast satisfying read. Although the language is uncomplicated, the books are not simplistic. They are hard-hitting, with adult themes and they often focus on social issues.

It’s a challenge for an author to streamline their writing style without losing its essence. That’s why Orca contracted with leading Canadian crime fiction authors for the 68 books in the series, including my friend, Sam Wiebe.

Sam’s novella, Never Going Back  (Orca, 2020is one of the latest books in the Rapid Reads series.  Its protagonist, Alison Kidd, is a tough young woman, a master thief who’s just gotten out of jail. She hated prison and she’s determined to go straight, but the local crime boss blackmails her into pulling off a risky job. If she refuses, her brother will be killed. Can she outsmart her old boss and save her brother and herself?

Sam’s hard-hitting, critically acclaimed Dave Wakeland series and his debut novel,  The Last of the Independents, are both written very much from a man’s point of view. I was intrigued that Sam chose a woman hero for Never Going Back. Could he pull it off?

I’m delighted to say that, yes, Sam did! Alison Kidd is a terrific and likeable character.  (More books and stories with strong women, Sam!) The plot has the twists and turns of a switchback highway and the suspense that goes along with it. An excellent thriller!

EAT THIS BOOK:  5 STARS

 

 

EAT THIS BOOK: Rolling Thunder by A. J. Devlin

I had the pleasure of meeting AJ Devlin at Left Coast Crime in Vancouver in 2019. We ended up sitting next to each other at the Crime Writers of Canada pub dinner and really hit it off. It turns out that AJ spent many years in Hollywood as a screen writer and our daughter, Claire, works in special effects so I know how tough the film biz can be. And we bonded over the challenges we’d both had to overcome to be traditionally published.

 

AJ’s first crime novel, Cobra Clutch, found a home with NeWest Press. It introduced “Hammerhead” Jed Ounstead, a former pro wrestler turned private eye. I loved it! Like pro wrestling, Cobra Clutch has it all: comedy, great characters and over the top action. (The shoot-out on Lion’s Gate Bridge is my personal favorite.)

Cobra Clutch was nominated for a Lefty Award and went on to win the Arthur Ellis Best First Novel Award. Not bad!

So I was eager to read Jed Ounstead’s next adventure, Rolling Thunder. I’m delighted to report that it’s great fun and a great read. Jed is in fine form as he dives into the world of roller derby. The coach of the Split Lip Sallies, whose stage name is Lawrence O’Labia, has disappeared days before a critical match. (Lawrence’s real-life name is even ruder.) The roller derby team hires Jed to find him.

Running Lawrence down lands Jed in enormous danger as he searches through Vancouver’s seamy side. Is it gambling? Drugs? Larry’s secret fondness for the (gay) leather scene? You’ll have to read the book to find out.

AJ has a gift for witty names and dialogue. He populates the pages of his thriller with hilariously weird characters, among them: an effete bookie who races dachshunds, an excruciatingly amateur talk show host and a 300lb roller derby star who likes to whack men’s butts. Jed gets lots of action in and out of the ring. The fight scenes are especially well-written: gritty and visual.

Rolling Thunder hits all the marks for a PI thriller. Thoroughly recommended. 5 stars.

Available on Amazon.ca in print and e-book.

 

EAT THIS BOOK: Knucklehead Noir by Coffin Hop Press

Strange times, readers. But happily, at long last we can attack our TBR piles. Definitely time to indulge in feel-good literature even when one is drawn to the dark side – and noir.

The answer? Black humour and you will find plenty in the terrific anthology, Knucklehead Noir ( Coffin Hop Press) edited by Robert Bose and Sarah L. Johnson. The byline says it all: When there’s no room left in jail, the idiots will walk the streets. Believe me, when you’ve finished these 15 stories (most new, some reprinted)  by leading Canadian and American noir authors, you will feel much better about your own life, family, friends, job and COVID-19.

Leading off these tales celebrating idiots is one of my personal favorites, “Two Kangaroos Chained to a Piss Pot” by Jason Pearce. Angus arrives home with the Christmas gifts he made in jail, like the shiv his little brother can use as a toothbrush. Handy! But when he robs his local grocery store of beer and smokes, things go awry in the most Canadian way.  “Honeymoon Sweet” by US screenwriter, Craig Faustus Buck, is the Macavity award-winning tale of marry in haste, repent at leisure. The same warning continues in “Work at Home Opportunity! Perfect for Single Moms” by Laurie Zottmann. Single mom, Chucky Jensen, struggles to sell stolen yoga pants at her kid’s school fair while fending off bitchy competitors and hiding the freshly dug hole in her garden from her nosy neighbour cop.

Golden Derringer winner, Michael Bracken, pens a cautionary tale about wannabee robbers of adult stores in “Sex Toys”, but Pamela Kenney gives us hope in “All in a Day’s Work”. You may change your fate if your kidnappers are dumber than you.  The criminals in Chris R. Young’s story, ” Thick as Thieves”, are certainly thick. They mess up a job -no kidding!- and get caught in a hilarious twist of fate.

More inept wannabees appear in Tom Barlow’s, “Hic”. Andy tries to outdo his jailed brother, while sleeping with his brother’s devious ex, but his nerves set off a fit of hiccups and disaster.   Jaclyn Adomeit’s story, “Scratch and Sniff”, skillfully blends suspense and humour in hero Nathan’s quest to smuggle drugs into an oil drillers camp. And the sad irony continues in Brent Nichols’ “Go Fish”, where a poacher steals a drowning victim’s cell phone only to find out that the vic has powerful friends bent on a watery revenge.

Another personal favorite is “Johnny Money”, by Steve Passey, where hardened gangster, Johnny, looks out for his vulnerable younger brother, Ricky. American noir author, Steve Brewer, shows his humorous side in “Cemetery Plot” where a trio of idiots try to kill each other off in a graveyard. Convenient because who looks for a murder victim in a cemetery?

Events turn downright bizarre in the cross-genre story “Soft Opening” by Will Viharo. Porn merchants learn that it’s never a good idea to cross an alien.  In “Beer Run” by Scott S. Phillips, Radio Ketchum fights to retrieve a beer shipment stolen from his terrifying mother’s bar. And in Axel Howerton’s “The Aluminum Eagle”, we travel back in time in a thoroughly enjoyable homage to Frank Sinatra and the Rat Pack. And rounding up the collection is the flash story, “Liner Notes” by editors Sarah and Rob where a hapless photog learns the hard way that his pics may be a goldmine, but not in the way he dreamed.

Bottomline: 5 stars  – Eat this Book!

 

 

 

 

MORE FAB NEWS!

Blatant self promotion, Readers!

I’m delighted to announce that I have a new story in Coffin Hop Press’ noir anthology, The Dame was Trouble. The collection features stories by leading Canadian women crime writers – and every story features A Dame.

My story, “The Seeker”, stars Terry Snow, a tough 62 year old who handles fast cars, guns and gangsters to find her missing son.


The Dame was Trouble was released this August and is available in print and e-book on Amazon.ca.

And 13 Claws struck gold at the Arthur Ellis Awards with a win by friend and fellow Madame of Mayhem, Catherine Astolfo for her story, “The Outlier”.

This is a tale so noir, Jack Batten, the Toronto Star critic said: Catherine Astolfo’s story involving a pig, for example, offers an intriguing way of giving Paul Bernardo himself a case of the chills. 

Not to forget that we received THREE further nominations for “There be Dragons” by Jane Burfield and “The Ranchero’s Daughter” by Sylvia Warsh and my own novella, “Snake Oil”, about which Jack said: M. H. Callway’s tale mixes snakes and the real estate business in a way that will make readers run a mile from both.

And as it this wasn’t enough, I’m delighted to share that both Cathy and Sylvia’s stories were long-listed in Otto Penzler’s  Best American Mystery Stories for 2018!!

HAPPY HOLIDAYS, READERS!

 

Greetings Readers!

I’ve been away in Iceland, a fascinating spot. Photos and fab street art soon in my next Wanderings.

2017 was a year of peaks and troughs, but two best-ever events really stand out. On a personal level, my husband and I are going to become grandparents. Holy Cycle of Life, Batman. Some days I feel like I’m in a time machine except I age along with the scenery.  As my kid says: This Time Machine Sucks!

And 13 Claws, the Mesdames’ new anthology launched to great success. (Read all about the event here.)

Even better, the book received great reviews from Maureen Jennings, creator of the acclaimed Murdoch detective series and Jack Batten, mystery reviewer for the Toronto Star.

Warning: Blatant Self-Promotion! My story, “Snake Oil”, received a shout-out!

Here’s what Jack Batten wrote:

The gimmick in the third annual collection of crime stories from this group of Canadian woman writers is that an animal plays a role in each tale…But just because the contributors to the collection write out of an affection for animals doesn’t mean readers need similar feelings to appreciate the stories. There’s enough suspense and intellectual fascination built into the plots of the majority of stories to satisfy even the most ferociously cynophobic reader… And M. H. Callway’s tale mixes snakes and the real estate business in a way that will make readers run a mile from both.

And Maureen wrote:

A great mix of shuddery dark and tongue-in-cheek funny. What devious minds all these nice women have.

More blatant promotion: 13 Claws makes a great stocking stuffer. It’s available on Amazon and at my favorite bookstore, Sleuth of Baker Street.

 

 

CYBER CAFE: Meet June Lorraine Roberts

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June Lorraine Roberts

I first met June in cyberspace. She’s a great supporter of fellow crime writers, their books, events and websites via her blog, Murder in Common.  We finally met in “meat space” at Toronto’s latest Noir at the Bar event organized by fellow crime writers, Tanis Mallow and Rob Brunet. A true pleasure to chat and to listen to her work!

Fans of crime fiction will enjoy June’s book reviews and recommendations.  Read on!

 

Welcome, June! Do tell us how you started Murder in Common. 

Thank you Madeleine for inviting me to your blog. It’s great getting to know new authors and I’ve been a fan of your work since you read Windigo Fire at Noir at the Bar Toronto.

Crime fiction (CriFi) is the main theme of Murder in Common. Occasionally you will find opinion pieces on writing and the terrors and joys of expressing yourself with the written word.

I had to look-up the date of the inaugural post, it was October 7, 2013, and was titled “The Art of Reading.” It took a while for me to find my online voice for this blog and for now, I’m happy with it.

Generally my posts are published weekly from mid-September to the end of June. The summer hiatus provides reading time and a brain refresh. I can however, be coerced to post by a debut author’s book launch.

Why crime fiction?

Reading crime fiction is something I’ve done from a very young age. Phyllis A. Whitney, Mary Roberts Rinehart and Patricia Highsmith are the authors I remember most. Of course all Nancy Drew and Hardy Boys books were devoured.

Tell us about your followers.

What a pleasure to discover that my blog has reached readers from around the world. No surprise , of course, that CriFi is of interest. Geographically, the furthest readers from Canada are in Australia. The countries of readers that were a surprise: South Korea, Finland, Romania and Russia.

When someone asks for more information about a book, I know that my post has captured enough attention to warrant the question. That’s really how I write most of my posts, to initiate conversation. The dialogue with my readers is really the best part of writing online.

An author once referred to Murder in Common as a curated site. That took me aback and had me thinking about what I was putting out there. The truth is she is correct, and the basis for curation is opinion. I am opinionated about the books I’ve read. However, I don’t view my site as a review site exactly. I refer to the books I post about as “Recommended Reading.”

While my preference is Noir, there are lighter crime books that I have enjoyed and therefore I write about them. All in all, those books that have captured me for various reasons: characters, plot, deviousness, imagination and that certain turn of phrase that makes me smile. Or horrifies me.

I’m also quite pleased when my posts about writing garner feedback. My contribution in this area seems to be appreciated which is both rewarding and informing.

Which blog is your personal favorite?

My personal favourite is “Come Home to Giles Blunt” where I talk about leaving the mainstream of highly promoted USA best sellers, and discovering the writers producing wonderful work right under our noses. (Hear! Hear! MHC)

Almost three years later I had the privilege of reading my flash fiction at Noir at the Bar Toronto the same night as Blunt. The group picture was the bonus of reading with other Canadian talent and it was a terrific experience.

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Authors: Back L-R: June, Peter McGarvey, Rob Brunet, Dee Wilson, Tanis Mallow                                     Front L-R: Giles Blunt, John McFetridge, Dietrich Kalties, Rosemary McCracken

How can readers follow your blog?

Murder in Common has a Follow button which most WordPress users take advantage of. Otherwise you can sign-up via email subscription. All constructive feedback is greatly appreciated.

Thank you, June. It was a pleasure to meet in Cyber Café and I look forward to reading your own crime fiction soon!

 

 

BIG NEWS: THE MESDAMES OF MAYHEM’S THIRD ANTHOLOGY 13 CLAWS!

The Mesdames of Mayhem are delighted to announce their third anthology, 13 Claws, to be published by Carrick Publishing in September, 2017 in time for Bouchercon Toronto!

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Blood on the 13 Claws!

All the stories in 13 Claws will be about animals: cats, dogs, bears, snakes  – and that’s just for starters!  The only limit will be the twisted imaginations of the Mesdames. And to balance our dark side, we are donating a percentage of our anthology’s sales to the Toronto Humane Society.

I’m working on a story about snakes and real estate agents: stay tuned!

More Big News: We Mesdames love to encourage new Canadian writers; indeed many of us teach creative writing. So for 13 Claws, we will have a contest! One story in the anthology will be by a previously unpublished author. Submission rules will be announced later this fall on this website and our FB page.

A bit of history…

In 2013, Carrick Publishing released the Mesdames’ first anthology as an introduction to our group and our writing. 13 Mesdames contributed stories so the title naturally became Thirteen!

Thirteen was a huge success.  Rosemary McCracken’s story, “The Sweetheart Scamster” was a Derringer finalist. And two stories were nominated for the Arthur Ellis Best Short Story award: Donna Carrick’s “Watermelon Weekend” and Sylvia Warsh’s, “The Emerald Skull”.

Thirteen has indeed proved to be our lucky number!

 

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In 2015, Carrick Publishing published our second anthology, 13 O’clock.  This time, all the stories were about time. Stories took place in the distant past or in the future. A ticking clock threatened disaster. Or in many tales, a diabolical past caused havoc in the lives of characters. For the first time, we included a story by our Monsieur, Ed Piwowarczyk.

13 O’clock proved to be another big success with good reviews by veteran crime fiction reviewer, Don Graves and by Vanessa Wasserman for the Sleuth of Baker Street newsletter. The icing on the cake: another Arthur Ellis Award nomination, this time for M. H. Callway’s novella, Glow Grass!

And best of all both Thirteen and 13 O’clock are now available in the Toronto Public Library!

TOP 10 FAV NOIR FILMS!

Really looking forward to Noir at the Bar at Bouchercon on September 14th in gothic New Orleans!

I’m a visual writer. I fell in love with the movies at age 3.  As a teenager, I fell under the spell of noir cinema: tough settings criss-crossed with black shadows, peopled with sinners doing horrible things to each other – what was not to love?

So in honour of Noir at the Bar, here are my Top 10 Fav Noir Films. Most centre on strong, complex female characters. Their striking settings are often surreal and have stayed in my mind forever.  The characters get justice even if that justice is harsh and twisted. And almost all feature devastating endings with a darkly satiric edge.

So here’s my list. I’d love to hear from you about your 10 Fav Film Noirs.

10.  thBLOOD SIMPLE (Joel & Ethan Coen) – The debut film of the Coen brothers who developed the story from Dashiel Hammett’s phrase “blood simple” meaning crazed by violence. 

An  unpleasant man hires a shady PI to murder his wife and her lover. Things naturally go awry with a literally harrowing murder scene that rivals the death of Rasputin. One of the best exit lines ever, delivered by veteran character actor, M. Emmet Walsh whose performance oozes sleaze.

 

9.   LadyfromS LADY FROM SHANGHAI (Orson Welles) – Orson Welles ran out of money trying to stage a musical version of Around the World in 80 Days. He  allegedly pitched The Lady from Shanghai to Columbia Pictures president Harry Cohn while  looking at the cover of a pulp novel he’d never read. It’s a “who’s gonna kill who” thriller with adult dialogue sparked with sharp-edged barbs.

Welles invented the final shoot-out in a fun house of mirrors, a  sequence that’s become standard in action and horror films. Nearly 70 years later, Welles’s original remains the best.

 

8.   SorrywrongnumberSORRY WRONG NUMBER (Anton Litvak) – A spoiled, bed-ridden  heiress overhears a murder plot on her telephone. Through a series of phone conversations with strangers and her unhappy husband, she realizes the thugs are about to murder her

Based on a radio play by Lucille Fletcher, the film works because of  its unusual plot structure and a terrific performance by Barbara Stanwyck as the woman you love to hate.

A devastatingly satisfying one-line ending: “Sorry, wrong number.”

 

 

7.   Mildred-Pierce-One-SheetMILDRED PIERCE (Michael Curtiz) – Based on the novel by master noir writer, James M. Cain.  The film depicts  the rise and fall of businesswoman, Mildred Pierce (Joan Crawford).

Abandoned by her husband, Mildred battles poverty and  terrible grief to support her family.  Against all odds, she becomes rich, but her insatiable drive to join high society ends up destroying what she fought so hard to save: her family.  A remarkable film even in 2016,  because the tragic hero is a woman rather than a man.

 

 

6.   220px-Vertigomovie_restorationVERTIGO (Alfred Hitchcock) – A masterpiece mystery thriller that shows how a grippingly profound story can be created with a minimum of characters. The film explores the destructive power of self-delusion and mental illness at a visceral level.

A law officer develops vertigo after a nearly fatal fall. His phobia makes him the victim of a diabolical plot. James Stewart is at his best as the unsympathetic hero: even Hitchcock’s heavily artificial camera work, invented to mimic vertigo, does the job. One of the best and most devastating movie endings of all time!

 

5. THE THIRD MAN th(Carol Reed) A thriller filmed on location in the rubble of post-WWII Vienna. It goes beyond genre in examining business corruption, betrayal and the tragedy of misplaced loyalty. 

Holly Martins (Joseph Cotton), a broke pulp fiction writer, travels to Vienna to meet his old friend, Harry Lime, who’s promised him a job.  But he arrives to find that Lime has been killed in a hit and run car accident and is wanted by the police.  Looking for answers, Martins  uncovers some nasty truths about Lime. 

Despite being on screen for only a short time, Orson Welles is the perfect Moriarty, intellectually brilliant, articulate, urbane and utterly indifferent to his friends. The final chase through the sewers of Vienna is pure noir, the unromantic ending logical. When visiting  Vienna, do check out the Third Man Walking Tour .

4.  thFARGO (Joel & Ethan Coen) A police  thriller where the misery of a North Dakota winter and the mundanity of Midwest culture work as well as the mean streets of noir. 

A beleaguered car salesman (William Macy) conspires with a pair of criminals to kidnap his wife for money and to get revenge on his rich father-in-law. Naturally things go pear-shaped, partly due to the dogged investigation by the local – and  heavily pregnant- police chief (Frances McDormand). 

Some really macabre scenes – we all know what’s gonna happen with that wood chipper – and lots of dark humour.  Who can forget Carl Showalter (Steve Buscemi) burying the ransom money in the endless snow along the highway then marking the spot with a tiny ice scraper?  Ordinary folks and petty criminals alike die because they’re not equipped to deal with true evil, as portrayed by Danish Shakespearean actor, Peter Stormare. For once good triumphs over evil…sort of.

 

3.  The_Asphalt_Jungle_posterTHE ASPHALT JUNGLE (John Huston)  The heist film that spawned the caper subgenre. Classic noir: tough criminal characters, mean streets, desperate motivations, greed and corruption. 

Four criminals and a corrupt lawyer conspire to rob a fortune in jewels, but are undone by mutual treachery and unforeseen hitches in their plan. Great performances by Sterling Hayden and Sam Jaffe. Interestingly, the film features the debut of Marilyn Monroe as the elderly lawyer’s young mistress. At the time, she wasn’t big enough to be on the movie poster!

 

 2.  thTOUCH OF EVIL (Orson Welles) Tough choice between my top two favs: they’re really a tie.

 I first saw Touch of Evil on late night TV. Deemed weird and disturbing at the time, I secretly loved it and still do. Seeing it now, I believe that the film was too truthful for the time because of its candid portrayal of police corruption and violence. Today it’s listed as one of the best films of the 20th century.

In the story, two people are killed when a car bomb goes off at a border crossing between the USA and Mexico. The veteran American cop, Hank Quinlan (Orson Welles), wants a quick solution and plants evidence to frame the most likely suspect, a Mexican citizen. Vargas, the Mexican detective (Charleton Heston), stands up to Quinlan with blowback that nearly kills him and his American wife, Susie (Janet Leigh).

Classic noir: mean streets, corruption, nasty characters, drugs, illicit sex, but much, much more. The film foreshadows tech noir: the final confrontation between Quinlan and Vargas takes place in a decayed industrial setting. It’s brutally frank about the bullying nature of American-Mexican relations, the corruption of male cronyism and women’s vulnerability in a patriarchal society.  Some neat touches: Mercedes McCambridge plays a frankly lesbian hoodlum. For readers who don’t know her, McCambridge was the voice of the demon in The Exorcist.

Orson Welles is amazing as bloated, uber-corrupt, sixtyish Hank Quinlan; impossible to believe that he was only 43 at the time.  Incredible, surreal scenes between him and Marlene Dietrich as his former mistress and the owner of a Mexican bordello. The single 3-minute tracking shot at the start of the film, that follows the convertible with the ticking time bomb, made cinematic history.

 

1. SunsetBoulevardfilmposterSUNSET BOULEVARD (Billy Wilder) Not just my favorite film noir, but one of my all-time favs period. In the story, a broke screen writer, Joe Gillis (William Holden) is trying escape the repo men. He hides out on the grounds of a mysterious Hollywood mansion inhabited by a forgotten star of the silent movies, Norma Desmond (Gloria Swanson).  Determined to make a comeback, Norma hires Gillis to rewrite her awful screenplay. Gillis figures it’s easy money, so he agrees, but gradually he becomes Norma’s boy-toy. When he decides to escape, well, guess what happens.

Like all great films, Sunset Boulevard is much more than its gripping story. It’s about the tragedy of vanity and delusion – and the price paid by enablers.  It’s also about the cost of refusing to accept change and abandoning your self-worth for easy money.

Gloria Swanson gives a legendary performance as Norma Desmond as does Erich von Stronheim portraying Max, her ex-husband who works as her butler. (Sick or what?) Wonderful gothic sets. Who can forget the image of the dead chimpanzee’s funeral or the rats in the dry swimming pool?

Billy Wilder broke several Hollywood conventions: many celebrities played themselves ( Buster Keaton, Cecil B. DeMille) and the narrator is a dead man. Truly one of the most haunting and satisfying endings in the movies when Norma walks into the camera for her close-up.

EAT THIS BOOK: Reading with Sam Wiebe!

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Looking for a summer thriller? Happy to recommend my friend, Sam Wiebe’s new book, The Invisible Dead! Last week Margaret Cannon, crime fiction reviewer of the Globe and Mail, gave it a rave review, calling Sam “a writer on the rise”.  Read the full text here.

Sam and I were both finalists for the 2012 Unhanged Arthur (Sam won). Subsequently Sam’s book, The Last of the Independents, was published by Dundurn and mine, Windigo Fire, by Seraphim Editions.  And then we were both short-listed for the 2015 Arthur Ellis Best First Novel Award!! (Steve Burrows won).  Sam went on to win the Kobo Emerging Writer Prize for Best Mystery.

What I especially enjoy about Sam’s writing are his engaging characters, but even more so his darkly complex plot twists that plunge deeply into noir. He breaks many mystery conventions and rules: no cozies here.

I’ll be reading with Sam and fellow noir writers, Rob Brunet and John McFetridge on Thursday, July 14th, 6 pm at Sleuth of Baker Street to celebrate the launch Sam’s new book and series, The Invisible Dead. Join us for a great evening of noir crime fiction.

AND EAT SAM’S NEW BOOK, THE INVISIBLE DEAD!

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News: Blatant Self-Promotion – My Novella “Glow Grass” Arthur Ellis Finalist!

WOW! I attended the Arthur Ellis short list event at Indigo Manulife Centre last night on April 21st with fingers crossed for our anthology 13 O’clock. Competition this year was tough in the short story category with nearly 50 entries and many established authors.

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Finalist-400My suspense story, “Glow Grass”, was entered in the novella category.  And it is an Arthur Ellis finalist. I could not believe it!!

I’m honoured and delighted to be in the company of my friends and fellow authors, Barbara Fradkin and Alison Bruce.  Do check out their books.

And special thanks to Carrick Publishing who made both anthologies of the Mesdames of Mayhem possible.

Read an excerpt of “Glow Grass” on this website.

Our Mesdames of Mayhem anthology, 13 O’clock, has garnered two recent reviews, both great.  Don’t miss out on some great stories by leading Canadian women crime writers.

Vanessa Westermann writes in Vanessa’s Picks in the April issue of the Sleuth of Baker Street newsletter:

M.H. Callway very kindly sent me a copy of 13 O’Clock ($15.99), the second crime anthology by the MESDAMES OF MAYHEM. I normally prefer to pick up a novel, rather than a short story collection, when looking for reading material. However, having just worked with a group of budding young authors in a creative writing club and given advice on crafting short fiction, it was a pleasure to read an anthology by lauded female Canadian crime writers and class it as ‘research’. These twisted tales offer entertainment to suit your every whim or perhaps, more appropriately, to suit the time of day. Over crumpets at breakfast, perhaps you’ll find yourself reading “Pulling a Rabbit”, about a woman whose adventurous spirit leads her from theft to abduction. Over a pre-dinner glass of merlot, you may choose to read “Glow Grass”, about dark deeds and blood-shed at a decayed family cottage. Whichever story you choose to read, at whatever time, you’re sure to find a tale of crime that will appeal to you, from the supernatural to comedy capers.

And Don Graves writes in Canadian Mystery Reviews. Don has given us permission to reproduce his review here. It will be up in a forthcoming issue.

A book of short stories is like a box of chocolates. There are those decadent dark chocolate truffles, those syrupy little beehives with a cheery inside and then…you get the picture.

Short story writing is a style where the author gets about a minute to ‘reel ‘em in and land ‘em’. No time to waste words. The author gets one shot to score. Short story writing can be the Waterloo that some authors fear. Enough.

13 O’Clock is a box full of delights. No assembly line writing here. It is short story writing that delivers. Did I like each story equally? No, but all of them got me in that critical first minute. In a long list of fine, hand-made “chocolates” includes “Perfect Timing” and “The Test of Time” by Melodie Campbell, “Thrice the Brinded Cat” by Joan O’Callaghan, “The Bench Rests” by Rosemary Aubert; this story took me back to those poignant legal series featuring Ellis Portal. Stories by Donna Carrick, Catherine Astolfo and M.H. Callway hit the spot. And I must mention one other. I’m sure you’ve heard the oldie about those can’t do…teach. Well, some say, those who can’t write…edit. But “Mirror, Mirror” by Cheryl Freedman blows that saying out of the water. Here’s one of Canada’s finest editors who can write!