My latest story, “The Moon God of Broadmoor”, is one of 20+ crime fiction tales in the anthology, Moonlight and Misadventure, edited by the indefatigable Judy Penz Sheluk (Superior Shores Press). Publication date is June 18th.
Stand by for the cover reveal, which will happen in the next few weeks!
Several of the authors, including myself, will be part of west coast author, Joanna Van der Vlugt’s podcast to be recorded on April 17th. Looking forward to that!
Here’s a sneak peak of the back cover:
“Whether it’s vintage Hollywood, the Florida everglades, the Atlantic City boardwalk, or a farmhouse in Western Canada, the twenty authors represented in this collection of mystery and suspense interpret the overarching theme of “moonlight and misadventure” in their own inimitable style where only one thing is assured: Waxing, waning, gibbous, or full, the moon is always there, illuminating things better left in the dark.”
Featuring stories by K.L. Abrahamson, Sharon Hart Addy, C.W. Blackwell, Clark Boyd, M.H. Callway, Michael A. Clark, Susan Daly, Buzz Dixon, Jeanne DuBois, Elizabeth Elwood, Tracy Falenwolfe, Kate Fellowes, John M. Floyd, Billy Houston, Bethany Maines, Judy Penz Sheluk, KM Rockwood, Joseph S. Walker, Robert Weibezahl, and Susan Jane Wright.
Novellas are relatively rare in crime fiction where formats are far more rigid than in literary and speculative fiction. Short story lengths greater than 5000 words are tolerated…barely. And novels must be no less than 65,000 and no more than 95,000 words.
No doubt the formats are dictated by business rather than artistic imperatives. The story or book length a publisher believes will hold readers’ attention spans.
So what is a novella exactly? A long story or a short novel? As an author whose work naturally tends to fall in this category, I believe a novella is a story with a linear plot but with more texture, atmosphere and complexity of character than can be captured in 5000 words or less.
The Orca Rapid Reads Series breathed life into the crime fiction novella. Mostly because of this series, the CWC Awards of Excellence have had enough entries to create and sustain a novella category. (CWC defines a novella as a story between 8000 and 20,000 words.)
The Rapid Reads series is aimed at adults who are ESL students, who have difficulty reading or those who simply want a fast satisfying read. Although the language is uncomplicated, the books are not simplistic. They are hard-hitting, with adult themes and they often focus on social issues.
It’s a challenge for an author to streamline their writing style without losing its essence. That’s why Orca contracted with leading Canadian crime fiction authors for the 68 books in the series, including my friend, Sam Wiebe.
Sam’s novella, Never Going Back (Orca, 2020) is one of the latest books in the Rapid Reads series. Its protagonist, Alison Kidd, is a tough young woman, a master thief who’s just gotten out of jail. She hated prison and she’s determined to go straight, but the local crime boss blackmails her into pulling off a risky job. If she refuses, her brother will be killed. Can she outsmart her old boss and save her brother and herself?
Sam’s hard-hitting, critically acclaimed Dave Wakeland series and his debut novel, The Last of the Independents, are both written very much from a man’s point of view. I was intrigued that Sam chose a woman hero for Never Going Back. Could he pull it off?
I’m delighted to say that, yes, Sam did! Alison Kidd is a terrific and likeable character. (More books and stories with strong women, Sam!) The plot has the twists and turns of a switchback highway and the suspense that goes along with it. An excellent thriller!
Do join me and my fellow crime writers for the Zoom launch of Carrick Publishing’s new crime fiction anthology, A Grave Diagnosis. This collection of tales of murder and malaise appropriately launches on Halloween!!
AND a special Halloween treat – here’s our video on YouTube! Thank you, editor and publisher, Donna Carrick!
My friends and I have embraced Zoom. It’s become an indispensable tool for authors during these dystopian COVID times.
Since the run-up to Christmas is a strong market for book sales, I pitched the idea to the Mesdames that we run a series of Zoom book launches. They loved idea and the Mesdames’ Book Launch Marathon took off!
First author was my friend, Rosemary McCracken who just published the 5th book in her popular Pat Tierney series, Uncharted Waters. By all accounts our Zoom launch was a terrific success. Our three secrets? Planning, planning and planning.
Rosemary shares her excellent write-up about successful Zoom launch planning from an author’s point of view on her blog, Moving Target. Read it here.
Even better, watch our video of the whole launch!!
Here are my pearls of wisdom from the moderator / techie side:
For an audience greater than 40+ people, the moderator and the techie must be two different individuals.
Work closely with your author before the launch to:
develop interesting questions
make a list of invited guests for vetting during the event
support each other before, after and during the launch!
Make the launch interactive to engage the audience
allow lots of time for Q& A
have contest questions throughout the launch
Email the links to the author’s book(s) on Amazon, etc. to all invitees.
Our next marathon event is the launch of Carrick Publishing’s new crime fiction anthology, A Grave Diagnosis. Appropriately enough the launch date is on Halloween! Saturday, October 31st, 2pm. And as a contributing author, I can kick back, relax and be a guest this time!
Last year I had the best time at the wonderful multi-genre festival, WHEN WORDS COLLIDE! in Calgary, Alberta. I was part of a crime fiction panel and learned about coz-play and writing children’s books.
I also had the privilege of reading at Noir at the Bar and getting to know the great authors and editors behind Coffin Hop Press, the publishers of The Dame Was Trouble.
Visiting Calgary also became a sentimental journey. My childhood can best be described as unsettled. Five of my early years were in Calgary – where we lived in three different houses.
Strangely enough my memory of Calgary as a patchwork of disparate cityscapes proved to be accurate. And one of my old homes still exists! There I had a magical conversation with the current owner. (Stand by for a Surreal Trapdoor blog.)
Because more importantly, WHEN WORDS COLLIDE 2020, will be on Zoom this week, from August 14 to 16th.
Best of all registration is FREE!! Register here. THE PROGRAM AND LINKS IS NOW UP!!
I’m delighted to one of the TEN Mesdames of Mayhem who are on the conference. panels.
We Mesdames have our very own panel, Meet the Mesdames of Mayhem, Saturday, August 15th, 4pm (Toronto time), 2 pm (Mountain time). (Donna Carrick, Rosemary McCracken, Madona Skaff, M. H. Callway moderating.)
We’re also out in force for The Long and Short of Crime,Saturday August 15th, 2 pm (TT), 12 noon (MT). (Jane Burfield, Rosemary McCracken, Lynne Murphy, Caro Soles, M. H. Callway moderating.)
Be sure to check out friends and authors Jayne Bernard, Melodie Campbell and Lisa De Nikolits.
Jayne Bernard, Melodie Campbell Plot vs Character, Crime Fiction’s Eternal Grudge Match, Friday, August 11th 3pm (TT), 1pm(MT)
Lisa De Nikolits, Caro Soles, Can the Crossover Fit the Crime? Saturday, August 15th, 12 noon (TT), 10 am (MT)
Jayne Bernard, The Heroine’s Journey, Sunday, August 16th, 1 pm (TT), 11am(MT) ; From the Mean Streets to the Deadly Wilderness, Sunday, August 16th, 3pm (TT), 1pm (MT); Diversity in Speculative Fiction, Sunday, August 16th, 5pm (TT), 3pm (MT)
My long story, “Brainworm”, is featured on Donna Carrick’s Story Stocking,Part One on July 22nd and Part Two on July 29th. “Brainworm” first appeared in the Mesdames of Mayhem’s latest anthology, In the Key of 13.
In the story, Fiona, a middle-aged woman worn down by looking after her difficult stepmother, has a near miss on the highway during a biting winter blizzard. The shock forces her to face the danger about to devour her.
I had the pleasure of meeting AJ Devlin at Left Coast Crime in Vancouver in 2019. We ended up sitting next to each other at the Crime Writers of Canada pub dinner and really hit it off. It turns out that AJ spent many years in Hollywood as a screen writer and our daughter, Claire, works in special effects so I know how tough the film biz can be. And we bonded over the challenges we’d both had to overcome to be traditionally published.
AJ’s first crime novel, Cobra Clutch, found a home with NeWest Press. It introduced “Hammerhead” Jed Ounstead, a former pro wrestler turned private eye. I loved it! Like pro wrestling, Cobra Clutch has it all: comedy, great characters and over the top action. (The shoot-out on Lion’s Gate Bridge is my personal favorite.)
Cobra Clutch was nominated for a Lefty Award and went on to win the Arthur Ellis Best First Novel Award. Not bad!
So I was eager to read Jed Ounstead’s next adventure, Rolling Thunder. I’m delighted to report that it’s great fun and a great read. Jed is in fine form as he dives into the world of roller derby. The coach of the Split Lip Sallies, whose stage name is Lawrence O’Labia, has disappeared days before a critical match. (Lawrence’s real-life name is even ruder.) The roller derby team hires Jed to find him.
Running Lawrence down lands Jed in enormous danger as he searches through Vancouver’s seamy side. Is it gambling? Drugs? Larry’s secret fondness for the (gay) leather scene? You’ll have to read the book to find out.
AJ has a gift for witty names and dialogue. He populates the pages of his thriller with hilariously weird characters, among them: an effete bookie who races dachshunds, an excruciatingly amateur talk show host and a 300lb roller derby star who likes to whack men’s butts. Jed gets lots of action in and out of the ring. The fight scenes are especially well-written: gritty and visual.
Rolling Thunderhits all the marks for a PI thriller. Thoroughly recommended. 5 stars.
In recent years, especially in noir crime fiction, authors and editors have pushed to create “geezer lit”. But the sub-genre hasn’t really caught on even though crime fiction readers are an older demographic.
True enough, modern protagonists of crime fiction, especially cozies, have become slightly older, but they’re not really old.
Two notable exceptions did take off. First of all, there’s the intrepid Miss Marple, inspired by an elderly friend of Dame Agatha Christie’s step grandmother. Miss Marple made her first appearance in a short story published in 1927.
Then more than half a century later, author L.A. Morse introduced Jake Spanner, his 78 year old PI. The Old Dick was Morse’s first crime novel and he won an Edgar Award for it.
In the early days of Crime Writers of Canada, L. A. Morse was much admired by the membership and perhaps more than a little envied because of his smashing success with The Old Dick. Though Morse worked as an administrator at the University of Toronto, he was actually an American from Los Angeles with two degrees in English literature from the University of California.
Re-reading The Old Dick, it’s easy to understand why it was such a hit. The writing is excellent: Morse goes for the comedy, with wry observations and epigrams packed into every page. He’s channelling his inner Raymond Chandler with observations like :
“When you got old, you either went soft or you got dry. Fortunately, I had gotten dry.”
“One of the few advantages of getting really old is that people don’t talk to you…They’re probably afraid that old age is contagious.”
“People have always divided the world into “us” and “them”, but when you’re old, you never fit in, so you’re always “them”.”
The Old Dick was not Morse’s first book. He’d already published, The Flesh Eaters, about a 15th century Scottish cannibal clan. He went on to write three more crime novels, all with a satirical edge. He took on Mickey Spillane with two hard-boiled novels, The Big Enchilada and Sleaze, whose hero, Sam Hunter “made Dirty Harry look like Mother Teresa”. He then showed his cozy side in An Old-Fashioned Mystery, penned by the mysterious and reclusive author, “Runa Fairleigh”.
In the mid-1980s, Morse turned to screen writing. He was one of the writers of Jake Spanner, Private Eye, a 1989 film starring Robert Mitchum and Ernest Borgnine. Though the movie centred on the Jake Spanner character from The Old Dick, the plot bore no resemblance to the book at all. Despite a strong cast, it failed to take off.
At this point Morse abandoned writing altogether. He turned to another medium for creative expression: he became -and still is – a sculptor. He became an expert bird watcher and published a two volume reference book on trashy 1980s movies and videos.
BOTTOM LINE: Abe Books lists the value of my used, unsigned paperback from $4 to $8US.
DECISION – SELL, KEEP or DONATE?
DONATE with an ounce of regret for the good writing between the covers