EAT THIS BOOK: Knucklehead Noir by Coffin Hop Press

Strange times, readers. But happily, at long last we can attack our TBR piles. Definitely time to indulge in feel-good literature even when one is drawn to the dark side – and noir.

The answer? Black humour and you will find plenty in the terrific anthology, Knucklehead Noir ( Coffin Hop Press) edited by Robert Bose and Sarah L. Johnson. The byline says it all: When there’s no room left in jail, the idiots will walk the streets. Believe me, when you’ve finished these 15 stories (most new, some reprinted)  by leading Canadian and American noir authors, you will feel much better about your own life, family, friends, job and COVID-19.

Leading off these tales celebrating idiots is one of my personal favorites, “Two Kangaroos Chained to a Piss Pot” by Jason Pearce. Angus arrives home with the Christmas gifts he made in jail, like the shiv his little brother can use as a toothbrush. Handy! But when he robs his local grocery store of beer and smokes, things go awry in the most Canadian way.  “Honeymoon Sweet” by US screenwriter, Craig Faustus Buck, is the Macavity award-winning tale of marry in haste, repent at leisure. The same warning continues in “Work at Home Opportunity! Perfect for Single Moms” by Laurie Zottmann. Single mom, Chucky Jensen, struggles to sell stolen yoga pants at her kid’s school fair while fending off bitchy competitors and hiding the freshly dug hole in her garden from her nosy neighbour cop.

Golden Derringer winner, Michael Bracken, pens a cautionary tale about wannabee robbers of adult stores in “Sex Toys”, but Pamela Kenney gives us hope in “All in a Day’s Work”. You may change your fate if your kidnappers are dumber than you.  The criminals in Chris R. Young’s story, ” Thick as Thieves”, are certainly thick. They mess up a job -no kidding!- and get caught in a hilarious twist of fate.

More inept wannabees appear in Tom Barlow’s, “Hic”. Andy tries to outdo his jailed brother, while sleeping with his brother’s devious ex, but his nerves set off a fit of hiccups and disaster.   Jaclyn Adomeit’s story, “Scratch and Sniff”, skillfully blends suspense and humour in hero Nathan’s quest to smuggle drugs into an oil drillers camp. And the sad irony continues in Brent Nichols’ “Go Fish”, where a poacher steals a drowning victim’s cell phone only to find out that the vic has powerful friends bent on a watery revenge.

Another personal favorite is “Johnny Money”, by Steve Passey, where hardened gangster, Johnny, looks out for his vulnerable younger brother, Ricky. American noir author, Steve Brewer, shows his humorous side in “Cemetery Plot” where a trio of idiots try to kill each other off in a graveyard. Convenient because who looks for a murder victim in a cemetery?

Events turn downright bizarre in the cross-genre story “Soft Opening” by Will Viharo. Porn merchants learn that it’s never a good idea to cross an alien.  In “Beer Run” by Scott S. Phillips, Radio Ketchum fights to retrieve a beer shipment stolen from his terrifying mother’s bar. And in Axel Howerton’s “The Aluminum Eagle”, we travel back in time in a thoroughly enjoyable homage to Frank Sinatra and the Rat Pack. And rounding up the collection is the flash story, “Liner Notes” by editors Sarah and Rob where a hapless photog learns the hard way that his pics may be a goldmine, but not in the way he dreamed.

Bottomline: 5 stars  – Eat this Book!

 

 

 

 

CYBER CAFE: Welcome Jayne Barnard!

Jayne Barnard and I first became friends in cyber space. We met in Real Space at the 2016 Arthur Ellis Banquet where to my delight, she won the Unhanged Arthur for her first crime novel, Where the Flood Falls (Dundern). Her hero, Lacey McCrae, is a former RCMP officer fleeing domestic abuse. Lacey is rebuilding her life in the Calgary foothills but gets drawn into solving homicides.

The second book in the series, Where the Ice Falls, debuted on August 10th, giving me an early read of this terrific thriller. The story touches on serious social issues, like cyber fraud while chasing down the true killer through a frigid Alberta winter.

In addition to crime, Jayne writes historical and speculative fiction. She is the creator of the YA steam punk heroine, Maddie Hatter. The first book in the series, Maddie Hatter and the Gilded Gauge, won the Alberta Book of the Year Award. Jayne unleashes her wild imagination in a cozy, vine-covered cottage where she lives with her husband and orange tabby cat.

All these great reads are available on Amazon. Where the Ice Falls is also available through Indigo/Chapters, Barnes & Noble, and at Jayne’s long-time home bookstore, Owls Nest Books in southwest Calgary.  So readers, EAT THESE BOOKS and welcome, Jayne, to Cyber Café!

 

Jayne, how did you become a writer? Did you know from childhood?

The first time I really threw myself into writing a story was in Grade 3. My teacher let me have a whole week to finish it to my satisfaction. I sold a couple of poems in early adulthood and averaged two sales of short pieces (fiction and non-) per decade until my oldest child hit university.

How do you carve out time write?

I didn’t sell my first novel until after my last child left home. It’s a common trajectory for female writers with families; carving out the time and, more importantly, the mental focus to write, is a challenge.

How did you turn to crime…fiction?

I actually started selling historical short crime stories. “The Medicine Line” and “Tommy Palmer’s Ghost” were finalists for the Great Canadian Story prize from the now-sadly-defunct Canadian Storyteller Magazine. “Each Canadian Son” won the Boney Pete at Bloody Words 2011 in Victoria, BC. I’d written a handful of speculative short stories along the way but none got published until I was already working on my first Steampunk novella, Maddie Hatter and the Deadly Diamond (Tyche Books, 2015).

What was your inspiration for the Falls series and the main character, Lacey McCrae?

At heart the series is about women and the friendships that support us as we grow through the upheavals of early adulthood. Long ago, my best friend from high school joined the RCMP. Back then we were both into running, cycling, swimming, so the fitness requirement wasn’t a big problem for her. By the time she left the Force ten years later, we both had half-finished university degrees and failed marriages. In addition, she had PTSD and I had already been diagnosed with the illness that still rules my life (ME/CFS).

Lacey is loosely based on my friend’s experiences adjusting to civilian life, but her running and other active scenes are rooted in my kinetic memory from those active olden days with my friend. The character of Jan is in many senses my current life; she studied what I studied, and she has ME/CFS which limits what she can do. We both still crave exposure to the arts world we had to leave.

Where the Ice Falls is the second book in the series. How does it continue on from When the Flood Falls?

Where the Ice Falls takes place from early December to early January, six months after the events of Where the Flood Falls. Lacey and Jan were the main players in Flood; Lacey and her roommate Dee are central to Ice.

Dee’s mother is terminally ill, and determined to have a last Christmas with her only child before seeking a medically assisted death. Dee relies on Lacey’s support to come to terms with her mother’s wishes. But Lacey’s already crispy at the edges after months of looking after Dee during her long recovery from last summer’s injuries.

A new character, Zoe, is near breaking point from work, Christmas prep, and her stepsons’ impending visit. When Zoe’s teenage daughter finds a dead intern outside their borrowed ski chalet, all the women are yanked into a chilling holiday season filled with family dysfunctions and psychological stressors that lead inexorably toward danger and death in the cruel wilderness west of Calgary.

Tell us about your Maddie Hatter novella series (Tyche Books).

The Maddie Hatter Adventures are frothy romps that chase Maddie, renegade daughter of Britain’s most respected Steamlord, as she attempts to make her living by investigative reporting. Except no editor will give a young lady an investigative assignment; she’s trapped on the Society pages, writing about women’s fashion.

She has to break out of what we’d now call a ‘pink ghetto’ on her own. Whether hunting for batty Baron Bodmin and his mysterious bloodshot diamond across three seas and two continents, or parasol duelling in Gilded Age New York City with a devious Russian countess, or hunting industrial spies across the calles and alleys of Venice during Carnivale, Maddie needs all her wits – and the help of her clockwork bird, Tweetle-D,  to catch the crooks and pen the exposés, or she’ll be relegated to hats-and-hemlines stories forever.

Maddie Hatter is Steampunk-inspired. (I love steam punk BTW) Do tell us more about Steampunk. 

Steampunk got its start in the late-Victorian adventure tales of Jules Verne, H.G. Wells, and Arthur Conan Doyle. Yes, the creator of Sherlock Holmes wrote a few Professor Challenger novels too, questing for lost worlds.

The modern twist on this genre is that the gasoline engine was never invented. Steam power kept evolving instead, with new gadgets and advanced transportation and communication technology. Nowadays, Steampunk is not limited to British literary tradition nor to Victorian England. In Australia, Japan, India, Russia, and all across the Western world, Steampunk sub-cultures are flourishing, with festivals bringing together hundreds of costumed revelers ready to show off their gadgets while they participate in parades, teapot races, and, increasingly, parasol duelling.

To be totally honest, my husband and I – both involved in the Alberta Steampunk community for many years – invented parasol duelling for Maddie Hatter’s world and are thrilled that it has been adopted by Steampunks around the globe. The World Championships are held in Alberta each September, but there are duelling groups in England, France, Australia, New Zealand, and several US states.

Both of us contributed stories to the noir anthology, The Dame was Trouble. Your story is cross-genre: a futuristic PI story set in space. Do you see an increasing trend in cross-genre crime fiction?

I think there’s a bright future in SFF/ crime crossovers. Modern readers live in a technologically complex world and expect their fiction to mirror that, but at heart we all want characters we can identify with, whether they’re human, humanoid, android, or entirely alien. Crime writers have been studying the human psyche across the full spectrum of good and evil for a long time; the more we’re able to expand our work to settings beyond the limits of contemporary Earth, the more new readers we’ll find.

What challenges face the cross-genre crime writer?

To write good crossover fiction, you must know the conventions of both genres well before deciding which ones you’ll break, bend, or stand on their heads. While crime fiction is based on human nature and the solution of a puzzle, SFF readers want exotic settings and alternative social structures that challenge them to imagine life outside the confines of the world they know.

It’s not enough to set a crime story on a space station or alien moon if you don’t think about what new opportunities and limitations the setting imposes on the criminals and the detectives. In “Painted Jade”, my story from The Dame Was Trouble, the body is found floating outside the station, all forensic evidence perfectly preserved by the vacuum of space. However, our intrepid detective must go out there to bring it in, and if you’ve ever felt that leap in your stomach on a carnival ride, imagine how your stomach will feel as it tries to keep your breakfast from rising in the absence of gravity.

Ideally you should be reading in the genres you’re writing in, so you can avoid the unrewarding task of crafting, for example, a compelling mystery in a setting that’s been thoroughly explored by a dozen masters of SFF already. You don’t want half your potential readers to dismiss your masterwork as being out-dated, or the other half to toss the book aside because they guessed the murder plot in the first few pages and aren’t interested enough in your careful world-building to keep reading.

What’s next for you, Jayne?

First off, I’ll be editing the third book in The Falls Mysteries. Why the Rock Falls picks up with Lacey and Jan the following summer, when Jan’s old university roommate comes to Bragg Creek with her movie-director husband and promptly attracts old lovers and new dangers in the sun-baked foothills. It will be released in the summer of 2020 by Dundurn Press.

Next, I’ll work on a contemporary Young Adult thriller in which a teenage foster child gets tangled up with a land-developer, a politician, and a deceptively mild-eyed collie with a penchant for escape. I’m quite excited about this blending of my crime-writing background with my YA adventure style. You could say it’s another kind of crossover.

Great having you on Cyber Cafe, Jayne. Really looking forward to reading your new books.

Thanks for inviting me to visit your blog. Always a pleasure to chat with you.

 

 

 

 

 

MORE FAB NEWS!

Blatant self promotion, Readers!

I’m delighted to announce that I have a new story in Coffin Hop Press’ noir anthology, The Dame was Trouble. The collection features stories by leading Canadian women crime writers – and every story features A Dame.

My story, “The Seeker”, stars Terry Snow, a tough 62 year old who handles fast cars, guns and gangsters to find her missing son.


The Dame was Trouble was released this August and is available in print and e-book on Amazon.ca.

And 13 Claws struck gold at the Arthur Ellis Awards with a win by friend and fellow Madame of Mayhem, Catherine Astolfo for her story, “The Outlier”.

This is a tale so noir, Jack Batten, the Toronto Star critic said: Catherine Astolfo’s story involving a pig, for example, offers an intriguing way of giving Paul Bernardo himself a case of the chills. 

Not to forget that we received THREE further nominations for “There be Dragons” by Jane Burfield and “The Ranchero’s Daughter” by Sylvia Warsh and my own novella, “Snake Oil”, about which Jack said: M. H. Callway’s tale mixes snakes and the real estate business in a way that will make readers run a mile from both.

And as it this wasn’t enough, I’m delighted to share that both Cathy and Sylvia’s stories were long-listed in Otto Penzler’s  Best American Mystery Stories for 2018!!

GREAT NEWS FOR 13 CLAWS!

 

 

 

 

 

 

APRIL 18TH, the Arthur Ellis short list event was a triumph for the Mesdames of Mayhem – and a personal boost as well!

My fingers were crossed for one, maybe just one, nomination from our third anthology. I could not believe my ears when not just one but FOUR of us are finalists.  And that includes my noir novella, Snake Oil!

Three fellow authors and dear friends have their stories nominated:

  • Cathy Astolfo for “The Outlier”
  • Jane Petersen Burfield for “There Be Dragons”
  • Sylvia Warsh for “The Ranchero’s Daughter”

None of this would have happened without editor, Donna Carrick and Carrick Publishing.

Here we are with dear friends and authors, Lynne Murphy and Sylvia Warsh, at Chapters / Indigo still incredulous!

Sylvia Warsh, Lynne Murphy, Mad and Ed Callway

 

NEWS! New Story in Mystery Weekly Magazine

Blatant Self Promotion, Readers!

My story, “The Cry”, is published in the April issue of Mystery Weekly Magazine!

In 2012, Ed and I visited Hiroshima, Japan to tour the Mazda factory, an enormous place with its own deep sea harbour and engineering university. Later we felt a duty to view the Peace Park, the site of the first atomic bomb explosion. Sobering, to say the least.

The park stretches nearly a mile in length and contains numerous memorials, virtually all of them in bleak Brutalist style, i.e. grey concrete.

I felt compelled to use this setting some day. In “The Cry”, an elderly assassin, suffering from early dementia, hears a murder being committed. Or does he?

Mystery Weekly Magazine is available in print from Amazon here.

It’s also available on digital newsstands and Kindle Newsstands subscriptions: https://www.amazon.com/Mystery-Weekly-Magazine/dp/B01N4NJL91

Or directly from The Mystery Weekly Magazine  website: http://www.mysteryweekly.com/subscribe.asp

Readers may also access Mystery Weekly FREE at over 30,000+ libraries and schools worldwide through their online system called Flipster.

 

CYBER CAFE: Judy Penz Sheluk

Greetings and Happy St. Patrick’s Day, Readers!

I’m delighted to welcome back fellow crime fiction author, Judy Penz Sheluk. Judy’s latest book, A Hole in One, has just been released by Barking Rain Press.

 

An Amazon international bestselling author, Judy is the author of two mystery series: The Glass Dolphin Mysteries (The Hanged Man’s Noose and A Hole In One) and The Marketville Mysteries (Skeletons In The Attic). Her short crime fiction has appeared in several collections, including Live Free or Tri. She is a member of Sisters in Crime, International Thriller Writers, the Short Mystery Fiction Society, and Crime Writers of Canada, where she currently serves on the Board of Directors as the Regional Representative for Toronto/Southern Ontario.

Judy blogs regularly about her writing life as well as interviewing and showcasing the works of other authors. Check out Judy’s website and blog here.  

Welcome, Judy! Do give us a sneak preview of  A Hole in One.

Readers of The Hanged Man’s Noose will know that Arabella’s relationship with her ex-husband, Levon Larroquette, is complicated. It gets even more complicated in A Hole In One, especially once Levon is suspected of murder. Levon and Arabella meet in the Silent Auction room just before the charity golf tournament is set to begin…and before Arabella stumbles onto a corpse in the woods on the third hole.

A Hole in One is the second book in your series. What was easy to write? And what wasn’t?

You would think that the easiest part is that the world and main characters of my series are already  created. In some ways, it is, but the tricky part is not giving away anything that happened in Book One, especially when those details have influenced the actions or lives of my characters. It’s a balancing act. Not to be too repetitive so earlier readers get bored, but repetitive enough so that the new book can be read out of order.

This is your fourth book. Does writing get easier or harder for you with each book?

It’s getting harder, and that, I think, is because I’m becoming a better writer, but with that, my inner editor has become quite harsh. That said, it took me 18 months to write and revise HANGMAN’S NOOSE, a year to write and revise SKELETONS IN THE ATTIC, and about nine months to write and revise A HOLE IN ONE once I got into it.  So, I’m writing faster. Or maybe smarter.

I have another book coming out this fall, the sequel to Skeletons in the Attic, the first book in my Marketville series. Now I’m working on three books! Book Three in the Glass Dolphin series, Book Three in the Marketville series, and a standalone.  The standalone is really calling to me right now. Maybe I just need a brief break from my series!

And you also blog regularly! You have been supporting fellow authors through New Release Mondays. 

New Release Mondays has been well received by authors and my blog followers. My initial intent was to support other authors without me doing a lot of work (ha!ha!). It’s opened a lot of doors for me. Authors I’ve never met have been showcased on my blog, and many are willing to return the favor when I have a new release.

But what if someone does not reciprocate?

It’s disappointing when someone doesn’t share the post or respond to comments, but when that happens the author goes on my “naughty” list, meaning I won’t host them again. We absolutely have to support each other if we want to succeed.

You generously share your writing experiences through My Publishing Journey. What have proved to be the most popular topics?

The more raw and honest my posts are, the more people respond to them. My earliest posts on looking for an agent or publisher, and the rejection I faced, gained a lot of traction even though at the time I had very few followers.

Another series that did well was the one on Scrivener, a writing software program beloved by many authors. So beloved, in fact, that if you don’t like Scrivener, you start to wonder if there’s something wrong with you. For the record, I tried Scrivener and hated it. But that’s just me. I’ve been using Word since I started freelancing for magazines and newspapers in 2003, and it’s what I’m used to, and what works for me.

Most recently, I wrote a series of three posts on producing audiobooks. That’s been super popular with authors. I try for a mix of posts; some are geared to authors,  some to readers

What’s next for you – in your spare time (ha!ha!)?

I’ve been on the Board of Directors at Crime Writers of Canada (CWC) since June 2017, and have just volunteered for another year, though as a general board member versus as Regional Rep for Toronto/Southern Ontario. It’s a lot of work, but I’m learning so much and I’m able to help other Canadian authors at the same time.

I’m also on the Committee for a new mystery conference, which will be held in Toronto in late May or early June 2020. Right now we’re in the initial planning stages, but we’ll have our venue and date firmed up by June 2018. The idea for a conference came up at a CWC board meeting and I thought, “I have to get in on the ground floor of this.” The hope is that the conference will promote Canadian authors, and that it will become an annual event. That, of course, will depend on how successful we are year one.

And finally, readers, here’s an extract from A Hole in One – just before Arabella finds the body!

Levon smiled, the full-on one he tended to keep in reserve, and Arabella felt something tug inside of her. She had heard quite enough about Gilly Germaine and how amazing she was. It wasn’t as if she was jealous, exactly, more like she felt Levon slipping away from her little by little. They might not be married any longer, but she never stopping thinking of him as a friend, someone who knew her and loved her, blemishes and all. Since Gilly had arrived on the scene, Levon had become more and more distant. This past month he’d been all but absent. Today was the first time they’d spoken in two weeks.

It didn’t help that she’d recently split up with Aaron Beecham. For a small town cop, he seemed to be on duty more than off.

“I should get going,” Levon said, interrupting her thoughts. “Gilly is relying on me.”

I’m sure she is. “I better get going as well. We’re starting on number two.”

“Just remember not to hit the ball until the shotgun sounds.”

“Gilly’s using an actual shotgun? I thought everyone used sirens or horns these days.”

Levon laughed. “Gilly’s as much of a stickler for research as you are. She thought it would be more authentic if she used a shotgun, too. You of all people should appreciate that, Arabella. After all, isn’t that your motto? Authenticity matters?”

It was, but Arabella didn’t like it that Gilly had adopted the same motto.

She didn’t like it one bit.

Find A Hole in One in trade paperback and eBook on Amazon and at Barking Rain Press here.

 

 

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HAPPY NEW YEAR, READERS!

Very excited to start 2018 with a new adventure. My friend, Donna Carrick of Carrick Publishing has launched a new podcast, Dead to Writes. I’m honoured to be one of the first authors featured on the podcast. I’ve been on radio once before on Sirius XM as a guest of Allison Dore.: a breathtakingly stressful adventure. We went overtime on our talk, which means all went well and Allison and her radio crew earned my undying admiration. Huge amount of work and prep goes into every minute of a radio interview.

Tonight, January 8th, my interview with Donna goes live followed by the audio version of my story, “Snake Oil”, from the Mesdames of Mayhem’s latest anthology, 13 Claws. Stand by for a thought-provoking discussion on crime fiction and writer’s craft.

Tune in via iTunes or Google Play. See you tonight!

HAPPY HOLIDAYS, READERS!

 

Greetings Readers!

I’ve been away in Iceland, a fascinating spot. Photos and fab street art soon in my next Wanderings.

2017 was a year of peaks and troughs, but two best-ever events really stand out. On a personal level, my husband and I are going to become grandparents. Holy Cycle of Life, Batman. Some days I feel like I’m in a time machine except I age along with the scenery.  As my kid says: This Time Machine Sucks!

And 13 Claws, the Mesdames’ new anthology launched to great success. (Read all about the event here.)

Even better, the book received great reviews from Maureen Jennings, creator of the acclaimed Murdoch detective series and Jack Batten, mystery reviewer for the Toronto Star.

Warning: Blatant Self-Promotion! My story, “Snake Oil”, received a shout-out!

Here’s what Jack Batten wrote:

The gimmick in the third annual collection of crime stories from this group of Canadian woman writers is that an animal plays a role in each tale…But just because the contributors to the collection write out of an affection for animals doesn’t mean readers need similar feelings to appreciate the stories. There’s enough suspense and intellectual fascination built into the plots of the majority of stories to satisfy even the most ferociously cynophobic reader… And M. H. Callway’s tale mixes snakes and the real estate business in a way that will make readers run a mile from both.

And Maureen wrote:

A great mix of shuddery dark and tongue-in-cheek funny. What devious minds all these nice women have.

More blatant promotion: 13 Claws makes a great stocking stuffer. It’s available on Amazon and at my favorite bookstore, Sleuth of Baker Street.

 

 

LAUNCH OF 13 CLAWS!

Excited about the launch of the Mesdames of Mayhem’s third anthology, 13 Clawswhich I believe is our best collection yet.

Many years ago, my friend and fellow author, Jane Burfield had the idea for an anthology that centred on animals: animals as heroes – or villains. In 2016, our publisher, Carrick Publishing, gave us the go-ahead and here we are, better late than never.

Jane is a champion of  encouraging new writers.  The Mesdames held a contest and three authors new to the crime fiction genre, Mary Patterson, Roz Place and Marilyn Kay, have stories in the book.

If you’re in the Toronto area, do join us at the launch. There will food, drink and readings. Come out and support our favorite bookstore, Sleuth of Baker Street.

NEWS: Bouchercon Noir at the Bar

I’m absolutely thrilled to be part of the line-up at Bouchercon Noir at the Bar, representing my hometown of Toronto!

Crime Fiction Authors Bring Their Gritty Side to the Rivoli

Noir at the Bar Toronto is hosting ten international crime fiction authors at the Rivoli, 334 Queen St West, Wednesday October 11, 2017. Door opens at 8:30pm, readings start at 9pm.

Gritty crime fiction, read in a bar, the flash fiction phenomenon has taken off over the past half dozen years across North America and around the world. The Toronto event—hosted roughly three times a year since 2014 by Rob Brunet and Tanis Mallow—is marking its tenth edition during Bouchercon 2017 (Passport to Murder) the World Mystery Convention which takes place in a different North American city each fall.

Readers will share some of their nastiest, roughest, dirtiest stories in a raucous bar filled with crime fiction authors from around the globe. Always dark, the material read at the Bouchercon Noir at the Bar is often a degree darker than usual, as invited authors seek to outdo each other in front of their peers.

At the October 11th event, the featured authors are Scott Alderberg (New York City) Eric Beeter (Los Angeles), M.H. Callway (Toronto), Hilary Davidson (New York City), Sheena Kamal (Vancouver), Owen Laukkanen (Vancouver), Jamie Mason (North Carolina), Thomas Pluck (New Jersey), Zoë Sharpe (UK) and David Swinson (Washington DC).

This year’s Bouchercon edition of Noir at the Bar Toronto is sponsored by Meridian Artists, who will be offering T-Shirts to the first hundred attendees.

For more information, please contact:

Rob Brunet

Noir at the Bar Toronto

416-788-3500

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